Something is very wrong, indeed: The headhunter/art thief has now become the prey of a depraved but very smart and experienced man-hunter. Then, the next morning he finds his “partner in crime” dead in the front seat of his own car. But in the house, he discovers something which leads him to believe that the relationship between him and his beloved Diana may not be exactly what it seems. Brown felt certain that the theft of the candidate’s Rubens would be the solution to his financial woes. However, after breaking into the house of the ideal candidate for a very high-level position, he suddenly realizes he may have gone one step too far. And he doesn’t mind stealing from his clients, just as long as the chances of his being found out are minimal. In a sense, he has leveraged his job as a headhunter into this second, highly profitible career – Roger-the-Headhunter learns many things that are useful for Roger-the-Thief. Roger Brown is an extremely adept art thief. He has a second career where he is every bit as competent as he is in his “day” job.
So Roger needs to make some serious money on the side.
He and his delightful and charming wife always manage to spend far more than even Roger is able to bring home.
So, even though Roger makes a small fortune at his profession, he finds himself in deep financial trouble. Roger Brown is married to the stunningly beautiful and desirable Diana – definitely a sight for sore eyes but a very expensive woman to maintain.
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